2016 had a real drought of good music charting in the United States. Beyonce released a hugely-hyped and amazing album and only one song crawled onto the bottom half of the year-end list. Huge albums from Radiohead, the 1975 and Kanye West failed to have any hits that stuck around. Prince died and 'Purple Rain' re-entered the top 10 and was way better than anything in the top 100. That said, there was some decent music in the charts. The only criteria is a placing on the Billboard top 100 year-end list and to have not been on it last year, otherwise 2015 hits would be half this list - but anyway:
10. Flo Rida - My house
Yes, the piano line is ripped straight from 'Trampoline' by Kalin and Myles, and yes the song is shallow and yes, the pre-chorus is pretty awful, but I can't help but love 'My House'. The piano line is bouncy, the song is incredibly fun and in a year where music slogged along at a snails pace, this managed to speed things up without being a trashy EDM monstrosity.
9. Jeremih - oui
Why couldn't we get more of this kind of music in the chats in 2016? Music that just, ya know... sounded really good. 'oui' reminds me of one of my favourite 2013 hits, 'Suit & Tie' by Justin Timberlake and Jay Z, (The song references it in the chorus and the bright keyboards are obviously inspired by it.) and yet it doesn't feel like a copy, and so just ends up as a great song.
8. Adele - When we Were Young
One of the only slow songs to chart this year that wasn't boring, 'WWWY' is easily as good as 'Rolling in the Deep' or 'Someone Like You' and is also one of the few songs to try and tell a story in the lyrics, which was refreshing. It's also great to hear a song build up to a climactic final chorus, something which is so rare that only someone with the fame of Adele could make it into a top-20 hit.
7. Beyonce - Sorry
There were two massive songs this year titled 'Sorry' - an overplayed but otherwise bearable Justin Beiber song and an infinitely better Beyonce song. The only song that really stuck around from 'Lemonade', this isn't the best song off the album, but is still great. With angry lyrics backed by one of the best instrumentals of the year, it's as astoundingly real as everything else Beyonce has done in 2016.
6. Twenty-one pilots - Stressed Out
Obviously this was overplayed to the point where it was basically white noise, so it's hard to re-listen to this song with fresh ears. Nonetheless, it's far more interesting than so much of 2016's produce, with lyrics that are perhaps the most relatable of the year (Hence why it as so big.) and a chorus which is both unconventional and builds on itself every time. Plus, it was so refreshing simply to hear real drums on a massive hit.
5. Mike Posner - I Took A Pill In Ibiza (SeeB remix)
Nobody was expecting this. Not only did Mike Posner return from obscurity out of seemingly nowhere, he did purely out of the power of how good 'Ibiza' is. The most personal song to end up on Year-end list, it's so specific to Mike Posner that it's a wonder the public latched onto it - Hell, the original acoustic version didn't make any waves until the remix. But the remix is the superior version of 'Ibiza', with it's legitimately great drop that manages to give off fittingly creepy, chaotic vibes and yet also be danceable.
4. Bruno Mars - 24k Magic
YES, IT WASN'T ON THE YEAR END 100, but you can't deny that this was a massive hit. Plus there honestly aren't 10 great songs that landed on the list (I mean, I put Flo Rida on here...). Ultimately, 24k Magic is pretty much perfect. Bruno Mars has slowly morphed from one of the most unbearable artists of the early 2010s into someone making massive retro jams that give respect to the classics while creating banging modern classics in the process. It's almost the most fun song of the year.
3. The Weeknd - Starboy
Any song that stops Daft Punk from being known as one-hit wonders in the US already has my gratitude, but 'Starboy' is far more than an attempt to stay relevant - it's the Weeknd declaring that he has won the music industry. And with beats this sharp you believe him.
2. Flume ft. Kai - Never Be Like You
The weirdest, wonkiest hit of the year. Sure, Flume's glitch-pop masterpiece felt out of place next to the Rihannas and Drakes of the year, but that only added to it's charm. It's wailing, trippy and one of the catchiest songs of the year. Many hits of this year will be forgotten quickly - and trust me that's for the better - but 'Never be like you' will be one of the defining songs of 2016 for years to come.
1. D.R.A.M. ft. Lil Yachty - Broccoli
2016 was year where hip-hop struggled in comparison to recent year. Most big hits were terrible (Juju on that beat), Not rap at all (Drake) or memes (Panda). But there was one song, one unexpected breakthrough hit that outclassed every song released all year. And yes, I believe that song to be 'Broccoli'. It's the piano. It's the infection happiness in D.R.A.M's voice, it's every charmingly terrible line Lil Yachty spits. But most of all it's that flute! It sounds straight out of 'Earthbound' and I'm 100% sure it's not only why this song was a smash, but also the best hit song of 2016.
Showing posts with label Twenty One Pilots. Show all posts
Showing posts with label Twenty One Pilots. Show all posts
Thursday, 15 December 2016
Monday, 31 October 2016
Twenty One Pilots - Heathens review
It's Halloween! I love October 31st, and I couldn't let it pass without reviewing the most appropriate song currently hanging around the charts, 'Heathens' by Twenty-one pilots (Currently number 3 on the Billboard hot 100). I like TOP, they have a very large volume of very good material - the only problem I have with them is their almost cult-like fan base, which isn't their fault and is the main topic of 'Heathens' as a song.
The lyrics are pretty great for the most part, mainly because they manage to fit in with the 'Suicide Squad' movie the song was likely commissioned for, and relate the story of the supervillains to their fanbases growing troubles. The cult fanbase of TOP is unlike any band since 'My Chemical Romance', and the duo acknowledging this and actively trying to mend it through a song isn't the likely basis for a hit, but it has two things to thank for it's success:
The first is 'Suicide Squad', which might not have done very well critically or commercially but meant that 'Heathens' had a massive marketing push behind it, since it was a large part of the movie's promotion. The production on the song is what's kept it around though, with the creepy minimalism of the verses building up to the explosive drop, filled with a strangely creepy croak sound.
The song does have flaws though, the chorus is repeated just a little too often and the song could do with some variation in the second drop - such as a solo - since it's otherwise exactly the same but with less power due to less build-up. The main problem however is the pitch shifting. Tyler's vocals are sandwiched between extremely high and low pitched voices that are annoying and don't add anything to the song.
Nonetheless, 'Heathens' is a decent song that will likely have a long lifetime because it's going to be in Halloween playlists for the next decade at least. Twenty One-Pilots have released much better music, but if I had to listen to 'Heathens' once every year, I certainly wouldn't complain.
7/10
The lyrics are pretty great for the most part, mainly because they manage to fit in with the 'Suicide Squad' movie the song was likely commissioned for, and relate the story of the supervillains to their fanbases growing troubles. The cult fanbase of TOP is unlike any band since 'My Chemical Romance', and the duo acknowledging this and actively trying to mend it through a song isn't the likely basis for a hit, but it has two things to thank for it's success:
The first is 'Suicide Squad', which might not have done very well critically or commercially but meant that 'Heathens' had a massive marketing push behind it, since it was a large part of the movie's promotion. The production on the song is what's kept it around though, with the creepy minimalism of the verses building up to the explosive drop, filled with a strangely creepy croak sound.
The song does have flaws though, the chorus is repeated just a little too often and the song could do with some variation in the second drop - such as a solo - since it's otherwise exactly the same but with less power due to less build-up. The main problem however is the pitch shifting. Tyler's vocals are sandwiched between extremely high and low pitched voices that are annoying and don't add anything to the song.
Nonetheless, 'Heathens' is a decent song that will likely have a long lifetime because it's going to be in Halloween playlists for the next decade at least. Twenty One-Pilots have released much better music, but if I had to listen to 'Heathens' once every year, I certainly wouldn't complain.
7/10
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